LINDA DANIELS


Solo Exhibitions

2022  Left Field Gallery, Los Osos, California, “Splits”

2009  A.M. Richard Fine Art, Brooklyn, New York

2001  Art Resources Transfer, Inc., New York, “Large Drawing With Ornamentation”

1993  Jose Freire Fine Art, New York

1991  fiction/nonfiction, New York

1989  fiction/nonfiction, New York

1988  fiction/nonfiction, New York


Selected Group Exhibitions

2021  Gavlak Gallery Palm Beach, FL, “No Soft Edges: Women in Minimalism”

2020  Gavlak Gallery Los Angeles, CA, “Nasty Women”

          Fort Wayne Museum of Art, Fort Wayne, IN, “A Year of Making Meaning: New Additions to

          the Collection 2020”

2019  Gavlak Gallery Los Angeles, CA, “Inaugural Exhibition”

2017  The Arts Fund, Santa Barbara, “Disorderly Construct”

2015  The Painting Center, New York, “Ulterior Motif,” curated by Naomi Cohn (catalogue)

2000  Cheryl Pelavin Fine Art, New York, “Linda Daniels and Tamara Gonzales: A Few of My

          Favorite Things”

          Schmidt Contemporary Art and Lemon Sky: a project space, Los Angeles, “Paintland,”

          curated by Terry R. Myers

1999  Qualita Fine Art, Las Vegas, “Summer Pleasures”

1996  Murray Feldman Gallery, Los Angeles, “Strappy Sandals and Skinny Belts, the

          Hyperfeminine Position in Painting,” curated by Sue Spaid

1995  The Victoria Room, San Francisco, “Strappy Sandals and Skinny Belts, the Hyperfeminine

          Position in Painting,” curated by Sue Spaid

          Here, New York, “The Joy of Painting”

          The Work Space, New York, “Pleasant Pebble,” curated by Mary Jones and Janice

          Krasnow

1994  Jose Freire Fine Art, New York, “Hunk”

          Sue Spaid Fine Art, Los Angeles, “Sourball”

1992  Asher/Faure Gallery, Los Angeles, “Bedroom Pictures”, curated by Terry R. Myers

          (catalogue)

          Amy Lipton, New York, “There Is A Light That Never Goes Out”, curated by Terry R. Myers

1991  fiction/nonfiction, New York, Gallery Group Exhibition

1990  Coup de Grace Gallery, New York, “Building Beliefs: Paintings by Linda Daniels, Marilyn

          Lerner and Linda Swanson,”curated by Terry R. Myers

          fiction/nonfiction, New York, Gallery Selections

1989  fiction/nonfiction, New York, Invitational with Gallery Artists

1988  fiction/nonfiction, New York, “Split Plane”

1988  John Davis Gallery, New York, “Invitational”

1987  fiction/nonfiction, New York, “Linda Daniels, Robert Feintuch and Stephen Westfall”

          John Good Gallery, New York, “Rigor,” curated by Stephen Westfall

1985  alternative space, New York, “The Non-Objective World”

1984  Lafayette and Muhlenberg Colleges, Pennsylvania, “Small Works: New Abstract Painting,”

          curated by Tom Hudspeth and Ron Janowich (catalogue)

1983  Municipal Art Gallery, Los Angeles, “Newcomers 1983”

          Open Space Gallery, Victoria, British Columbia, Canada, “Of This Time, Of That Place”

1982  alternative space, San Francisco (under the auspices of the San Francisco Museum of

          Modern Art), “Santa Barbara Artists”

          University Art Museum, Santa Barbara, California, “The Santa Barbara Show,” curated by

          Marcia Tucker


Selected Bibliography

2022  Terry R. Myers, “Linda Daniels: Splits,” The Brooklyn Rail, June 2022, pp. 85-86 (with

          illustration). 

          Also available at http://www.brooklynrail.org/2022/06/artseen/Linda-Daniels-Splits

          Keith Tolch, “Interview with Artist Linda Daniels,” ADF (Aoyama Design Forum)

          Webmagazine, June 5, 2022.

          Available at http://www.adfwebmagazine.jp/en/art/interview-with-linda-daniels

2015  William J. Simmons, Ulterior Motif (exh. cat.), The Painting Center, New York (with

          illustration).

2009  Joe Fyfe, "Linda Daniels", Pic of the Day, artcritical.com, May 23, 2009 (with illustration).

2000  Ken Johnson, “Linda Daniels and Tamara Gonzales: A Few of My Favorite Things,” New

          York Times, August 11, 2000, p. E35.

1993  Jenifer P. Borum, “Linda Daniels”, Artforum, October 1993, p. 94 (with illustration).

          Terry R. Myers, “Linda Daniels”, Lapiz, May 1993, p. 28 (with illustration).

          David Pagel, “Painting’s Make-Up”, essay for the exhibition at Jose Freire Fine Art, New

          York City, February 1993.

          Carmine Iannaccone, “Bedroom Pictures,” Art issues, January/February 1993, p. 42.

1992  David Pagel, “Bedroom Pictures,” Los Angeles Times, November 19, 1992, p. F-6.

          Terry R. Myers,“Who’s Been Sleeping in My Bedroom Picture?,” in Bedroom Pictures

          (exh. cat.), Asher/Faure, Los Angeles (with illustration).

          Robert Mahoney, “There Is A Light That Never Goes Out,” Arts Magazine, April 1992,

          p. 91.

1991  Shirley Kaneda, “Painting and Its Others: In the Realm of The Feminine,” Arts Magazine,

          Summer 1991, pp. 58-64. Reprinted in Terry R. Myers, ed., Painting: Documents of

          Contemporary Art, Whitechapel Gallery, London, and The MIT Press, Cambridge, Mass.,

          2011, pp. 72-80.

          Alisa Tager, “Colors”, Lapiz, no. 80, pp. 62-65.

1990  Peggy Cyphers, “Linda Daniels,” Arts Magazine, February 1990, pp. 99-100.

          Terry R. Myers, “Linda Daniels,” Tema Celeste, January-February 1990, pp. 68-69 (with

          illustration).

1988  Stephen Westfall, “Linda Daniels,” Art in America, June 1988, pp. 164-65 (with illustration).

          Calvin Reid, “Linda Daniels,” 108: A Review, January-February 1988, p. 3.

1984  William Zimmer, "Can small works carry it off?,” in Small Works: New Abstract Painting

          (exh. cat.), Lafayette and Muhlenberg Colleges, Pennsylvania (with illustration).

1983  Suzanne Muchnic, “Promising ‘Newcomers’ at Muni,” Los Angeles Times, July 31 1983,

          p. 80- 81.

          Marlene Donahue, “A Diverse Group,” Artweek, August 13, 1983, p. 5.

1981  Robert McDonald, “Marcia Tucker Selects,” Artweek, July 20, p. 16.

          William Wilson, “New Wave Gets Its Foot On The Shore,” Los Angeles Times, July 12,

          p. 80-81.


Education

1975 BFA, California College of the Arts, Oakland


Grants

1991 The National Endowment for the Arts, Fellowship in Painting